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los ntawm Greek polus - ntau thiab sib haum xeeb

Ib hom complex uas sib txuas cov ntsiab lus ntawm ntau hom nrog ib qho tonic. Tib lub sijhawm, lub suab ntawm cov ntsiab lus ntawm cov qauv sib txawv tsim muaj ntau xim xim tshwj xeeb rau P.

NWS Prokofiev. "Betrothal hauv ib lub tsev teev ntuj", qhov kawg ntawm daim duab thib 2.

Cov nyhuv no yog feem ntau hais nrog lub suab tonic, tab sis nws kuj tseem tuaj yeem ua tiav nrog lub tonic tsawg dua, yog tias cov ntsuas sib xyaw ua ke tau txhais (piv txwv li, diatonic):

Yog Stravinsky. "Rite of Spring", "Kev ua si ntawm ob lub nroog".

P. muaj feem xyuam rau chromatic-variability ntawm cov kauj ruam nyob rau hauv lub frets ntawm Lavxias teb sab. nar. suab paj nruag ("hloov cov kauj ruam" nrog "chromatism ntawm qhov deb", AD Kasalsky); combining lawv nyob rau hauv tib lub modal qauv tsim muaj peev xwm ntawm lawv simultaneous sounding. Polymodal kiv puag ncig yog qee zaum pom nyob rau hauv lig medieval thiab Renaissance polyphony (G. de Macaux), tshwm nyob rau hauv lub zog ntawm kev tsim chromatism (modal ob-txheej, saib Polytonality; musica ficta thiab musica falsa). Tshem tawm. qauv P. 1st floor. 16th caug xyoo – “Yehauvas seev cev” los ntawm X. Neusiedler (feem ntau hais raws li ib tug piv txwv ntawm polytonality), qhov twg P. tiag tiag siv raws li ib tug tshwj xeeb. yuav qhia. txhais tau tias (modal foundations e, h, dis):

Nyob rau hauv Baroque thiab Classico-Romantic eras. P. lub sij hawm qee zaus tshwm sim hl. arr. vim yog kev sib xyaw ua ke ntawm ntau yam ntawm tib hom (piv txwv li, suab paj nruag., ntuj thiab harmonic hom me; JS Bach nyob rau hauv 2nd ib feem ntawm "Italian Concerto" thiab lwm yam). P. yog ubiquitous nyob rau hauv lub suab paj nruag ntawm lub xyoo pua 20th. yog ntuj. daim ntawv ntawm kev ua haujlwm ntawm chromatic modal system.

References: Kholopov Yu. N., Ntawm cov yam ntxwv niaj hnub ntawm S. Prokofiev txoj kev sib haum xeeb, hauv Sat.: Nta ntawm S. Prokofiev's style, M., 1962; nws, On peb txawv teb chaws kev sib haum xeeb, nyob rau hauv Sat: Suab paj nruag thiab Modernity, vol. 4, M., 1966; Tyulin Yu. N., Kev sib haum xeeb niaj hnub thiab nws keeb kwm keeb kwm, hauv: Cov lus nug ntawm cov suab paj nruag niaj hnub, L., 1963, hauv: Cov teeb meem theoretical ntawm suab paj nruag ntawm lub xyoo pua XX, vol. 1, M., 1967; ib. Dyachkova LS, Polytonality nyob rau hauv kev ua hauj lwm ntawm Stravinsky, nyob rau hauv: Cov lus nug ntawm Music Theory, vol. 2, M., 1970; ib. Koptev SV, On the phenomena of polytonality, polytonality and polytonality in pej xeem art, in collection: Problems of harmony, M., 1972; Rivano IG, Reader in harmony, part 4, M., 1973, ch. kaum ib; Vyantskus AA, Fret formations. Polymodality thiab polytonality, nyob rau hauv: Teeb meem ntawm Suab paj nruag Science, vol. 11, M., II.

Yu. Yog. Kholopov