Pedalization |
Cov ntsiab lus suab paj nruag

Pedalization |

Pawg phau ntawv txhais lus
cov ntsiab lus thiab cov ntsiab lus

Pedalization - ib qho ntawm cov ntsiab lus tseem ceeb ntawm pianistic. foob. P. tsis tsuas yog txuas lub suab, tswj kev sib haum xeeb, txhim kho lossis ua kom lub suab tsis muaj zog. Kev txawj ntse diff. Txoj kev tuaj tos thiab tshem tawm ntawm txoj cai pedal (retarded pedal, ib nrab-pedal, quarter-pedal, vibrating los yog trembling pedal, thiab lwm yam), sib koom los yog sib cais siv ob leeg pedals, juxtaposition ntawm pedal thiab tsis-pedal suab, thiab lwm yam. txoj kev ntawm pedaling diversify cov xim ntawm lub suab thiab enrich lub palette ntawm kev qhia. thiab muaj yeeb yuj ntxoov, tshwj xeeb tshaj yog tseem ceeb hauv lus Mev. prod. romantics thiab impressionists. Cov subtleties ntawm P., txuam nrog cov style ntawm kev ua op. thiab qhov xwm ntawm lub suab paj nruag, nyob ntawm seb cov txuj ci thiab txawm tias lub siab xav ntawm tus neeg ua yeeb yam thaum lub sij hawm qhov kev ua si, nrog rau cov acoustics ntawm lub tsev thiab cov yam ntxwv ntawm lub twj paj nruag; yog li cov ntsiab lus zoo ntawm kev kos duab. P. tsis tuaj yeem pom thiab raug xaiv hauv cov ntawv sau - lawv tau txiav txim los ntawm Ch. arr. musicality, hnov, hnov ​​ntawm style, arts. intuition thiab saj ntawm tus neeg txhais lus, nws kev txawj ntse. AG Rubinshtein (nws hu ua P. "tus ntsuj plig ntawm fp."), F. Busoni, thiab V. Gieseking tshwj xeeb tshaj yog rau P. tus kos duab.

P. ntawm harp tsis ywj pheej. ua teeb meem. creativity, ua obligatory. ib feem ntawm kev ua si qhov instrument.

References: Bukhovtsev A., Qhia rau kev siv lub piano pedal, M., 1886, 1904; Lyakhovitskaya S., Wolman B., Introductory article to the music edition: Maykapar S., Nees nkaum pedal preludes for pianoforte, M. – L., 1964; Golubovskaya NI, Art of Pedalization, M.–L., 1967; Kchler L., Systematische Lehrmethode für Cldvierspiel und Musik, Bd 1-2, Lpz., 1857-1858, 1882; nws tus kheej, Der Clavier-Pedalzug, V., 1882; Schmitt, H., Das Pedal des Claviers, W., 1875; Riemann H., Vergleichende theoretischpraktische Klavier-Schule, Hamb. —St. Petersburg, (1883), 1890; Lavignac AJ, L'Ecole de la pédale, P., 1889, 1927; Faskenberg G., Les pédales du piano, P., 1; Rubinstein A., Leitfaden zum richtigen Gebrauch der Pianoforte-Pedalen, Lpz., 1895; Breithaupt R., Die natürliche Klaviertechnik, Lpz., 1896, 1905 Riemann L., Das Wesen des Klavierklanges, Lpz., 1925; Boghen F., Appunti ed esempi per l'uso dei pedali del pianoforte, Mil., 1927, 1911; Kreutzer L., Das normale Klavierpedal, Lpz., 1915, 1941; Bowen I., Pedaling the modern pianoforte, (L., 1915); Leimer K., Rhythmik, Dynamik, Pedal, Mainz, 1928, 1936.

GM Koj

Sau ntawv cia Ncua