Kab rov tav |

Kab rov tav (Fabkis kab rov tav, los ntawm Greek orizon, genus orizontos, lit. – limiting) yog ib lub tswv yim cuam tshuam nrog kev xa tawm muses. prod. nyob rau hauv lub sij hawm thiab opposed mus rau lub ntsug - lub tswvyim uas txhais tau tias txhua lub sij hawm muab ntawm ntau lub hom phiaj. prod. G. hais txog cov kev hloov pauv uas tshwm sim nrog kev loj hlob ntawm muses. tsim raws li tus txheej txheem. Cov tswv yim qhia txog kev hloov pauv ntawm kev ntxhib los mos ntawm cov suab paj nruag. prod. thaum xa mus rau lub sij hawm, tau xub qhia los ntawm SI Taneev nyob rau hauv lub tswv yim ntawm mobile counterpoint; Txoj kev xav ntawm kab rov tav (linear) kev loj hlob ntawm suab paj nruag los ntawm JS Bach yog tsim los ntawm E. Kurt. Qhov tseem ceeb hauv kev nkag siab txog suab paj nruag. daim ntawv raws li ib tug txheej txheem belongs rau BV Asafiev. Nyob rau hauv lub xyoo pua 20th nyob rau hauv cov lus qhuab qhia ntawm kev sib haum xeeb, polyphony, suab paj nruag, thiab lwm yam ntsiab lus ntawm suab paj nruag. lus tswvyim ntawm G. pom kev siv dav.

References: Taneev SI, Movable counterpoint of nruj sau ntawv, Leipzig, 1909, M., 1959; Asafiev BV, Musical form as a process, book. 1–2, L., 1971; Tyulin Yu. N., Qhia txog kev sib haum xeeb, ntu 1, M.-L., 1937, ntxiv., M., 1966; Mazel LA, O melody, M., 1952; Kurth E. Grundlagen des linearen Kontrapunkts. Einführung hauv Stil und Technik von Bachs melodischer Polyphonie, Bern, 1917, 1946 (Lus txhais lus, M., 1931).

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