Polyfunctionality |
los ntawm Greek polu - ntau thiab lat. funstio - kev ua, kev ua, kev ua
Kev sib xyaw ua ke ntawm qhov sib txawv (feem ntau yog ob qho) ua haujlwm hauv ib qho kev sib raug zoo (feem ntau yog qhov ua haujlwm tsis sib haum xeeb ntawm cov suab bass lossis suab qis thiab lub suab sib haum xeeb). Muaj tshwm sim ntawm cov ntsiab lus ntawm lub cev (PI Tchaikovsky, "Eugene Onegin", Lensky's arioso los ntawm daim duab 1, pib ntawm coda, dominants rau fis thiab E ntawm qhov chaw ntawm lub tonic E-dur), txhawb nqa suab hauv nruab nrab thiab sab sauv. (L. Beethoven, 32nd sonata rau piano, ntu I, kev taw qhia, bars 12 thiab 14), complex pedal figurations (NA Rimsky-Korsakov, Golden Cockerel, 3rd act, tus xov tooj 249, tuav 7-8, nyob rau hauv cov lus: " Thiab sim sib yuav”), nyob rau hauv qee qhov kev sib txuas nrog cov suab tsis chord (tshwj xeeb tshaj yog ncua; piv txwv li consonance fad-cis-egb hauv qhov kawg ntawm Beethoven's 9th symphony) thiab linear stratifications (piv txwv li, chord – cambiata III ntawm qib qis hauv Qhov kawg cadence ntawm II ib feem ntawm lub thib 6 sonata los ntawm SS Prokofiev; nrog cov suab los yog txheej txav mus rau ib leeg), nyob rau hauv lub cadence quarter-sextakcord (TD; nyob rau hauv cov suab paj nruas cov ntaub ntawv, nws ob lub npe yog pom: T64 thiab D64), qee zaum hauv kev tsim tshwj xeeb (Beethoven, kev sib xyaw ua ke ntawm T thiab D ua ntej rov tsim dua ntawm I ntu ntawm 3rd sym phony) thiab nthuav qhia (los yog duab) lub hom phiaj:
L. Beethoven. 3rd symphony, zog I.
Lub polyfunctional contradiction D (rau stringed instruments) thiab T (rau lub horn; zoo li ib tug siab-txiav txim nqa) ua hauj lwm raws li qhov kawg intensification ntawm lub siab xav rau qhov kev cia siab tonic ntawm rerise thiab ua rau nws nthuav. Cov nyhuv tawm ntawm qhov loj tonal voltage tsim yog tshwj xeeb muaj zog.
Txawm li cas los xij, kev txhais lus ntawm niaj hnub dissonant kev sib haum xeeb los ntawm txoj hauj lwm ntawm P. feem ntau yuam kev, tk. "tuag" qhov kev sib raug zoo tshiab rau hauv me me, nkag mus rau cov txheej txheem yav dhau los ntawm kev txheeb xyuas, rhuav tshem cov ntsiab lus ntawm kev tsom xam, hloov nrog lwm tus (saib Polytonality, Polychord). Yog li, chord ce-fis-h, uas 4th variation ntawm qhov thib ob ntawm lub piano thib 3. Prokofiev's concerto tsis tuaj yeem piav qhia raws li kev sib xyaw ua ke ntawm T (eh) thiab S (ce-fis) hauv tus yuam sij ntawm e-moll; nws yog ywj siab. ib tug consonance uas ua tsuas yog ib qho kev ua - lub hauv paus ntsiab lus (tonics) ntawm ib tug muab harmonic. tshuab. Yog li ntawd yog ib tug chord zoo li cegad los yog ceghd, yog hais tias nws yog siv (xws li nyob rau hauv jazz music) raws li ib tug ywj siab chord. tonic consonance (C-dur), monofunctional, tsis polyfunctional.
References: Tyulin Yu. N., Phau ntawv ntawm kev sib haum xeeb, ntu 2, M., 1959; nws tus kheej, Niaj hnub nimno Harmony thiab Nws Keeb Kwm Keeb Kwm, nyob rau hauv: Cov Lus Nug Txog Kev Kawm Suab Nkauj, L., 1963, hauv: Theoretical Problems of Music of the 1th Century, vol. Xyoo 1967, M., 4; Zolochevsky VN, Modulation and polytonality, in collection: Ukrainian Musical Studies, vol. 1969, Kipv, 4; Rivano N., Tus nyeem hauv kev sib raug zoo, ntu 1973, M., XNUMX.
Yu. Yog. Kholopov
