Georges Auric |

Georges Auric

Tus tswv cuab ntawm lub koom haum ntawm Fabkis (1962). Nws kawm ntawm Montpellier Conservatory (piano), tom qab ntawd ntawm Paris Conservatory (chav kawm ntawm counterpoint thiab fugue nrog J. Cossade), tib lub sij hawm nyob rau hauv 1914-16 - ntawm Schola Cantorum nrog V. d'Andy (chav kawm sib xyaw) . Twb tau thaum muaj hnub nyoog 10 xyoo nws pib sau, thaum muaj hnub nyoog 15 xyoo nws tau ua nws thawj zaug ua tus sau (hauv xyoo 1914, nws txoj kev sib hlub tau ua hauv concerts ntawm National Musical Society).

Nyob rau hauv lub 1920s belongs rau lub Rau. Ib yam li lwm cov tswv cuab ntawm lub koom haum no, Orik tau hnov ​​​​zoo siab rau cov qauv tshiab ntawm lub xyoo pua. Piv txwv li, jazz influences nyob rau hauv nws foxtrot “Farewell, New York” (“Adieu, New York”, 1920). Tus kws sau ntawv hluas (J. Cocteau tau mob siab rau phau ntawv Rooster thiab Harlequin, 1918 rau nws) nyiam ua yeeb yam thiab lub suab paj nruag. Hauv 20s. nws tau sau nkauj rau ntau qhov kev ua yeeb yam: Molière's Boring (tom qab ntawd rov ua haujlwm rau hauv kev ntaus pob tesniv), Beaumarchais's Marriage of Figaro, Ashar's Malbrook, Zimmer's Birds thiab Meunier tom qab Aristophanes; "Tus Poj Niam Silent" los ntawm Ashar thiab Ben-Johnson thiab lwm tus.

Lub sijhawm xyoo no, nws pib koom tes nrog SP Diaghilev thiab nws pab pawg "Lavxias teb sab Ballet", uas ua rau Orik's ballet "Teeb meem" (1924), nrog rau tshwj xeeb sau rau nws cov neeg ntaus pob "Sailors" (1925), "Pastoral" (1926). ), “Imaginary” (1934). Nrog lub advent ntawm suab xinesmas, Orik, nqa tawm los ntawm no loj kos duab, sau suab paj nruag rau films, xws li ntshav ntawm tus kws sau paj lug (1930), Kev ywj pheej rau peb (1932), Caesar thiab Cleopatra (1946), Kev zoo nkauj thiab tsiaj nyaum "( 1946), "Orpheus" (1950).

Nws yog ib tug tswv cuab ntawm pawg thawj coj ntawm Pawg Neeg Musical Federation (txij li xyoo 1935), koom nrog kev tawm tsam kev tawm tsam. Nws tau tsim ntau zaj nkauj, suav nrog "Sing, ntxhais" (lyrics los ntawm L. Moussinac), uas yog ib hom suab paj nruag rau cov tub ntxhais hluas Fab Kis xyoo ua ntej Ntiaj Teb Tsov Rog II. Los ntawm qhov kawg ntawm 2s. Orik sau me ntsis. Txij li thaum 50, Thawj Tswj Hwm ntawm Lub Koom Haum rau Kev Tiv Thaiv Copyrights ntawm Composers thiab Music Publishers, nyob rau hauv 1954-1957 Thawj Tswj Hwm ntawm Lamoureux Concerts, nyob rau hauv 60-1962 General Director ntawm lub National Opera Houses (Grand Opera thiab Opera Comic).

Tus kws kos duab humanist, Auric yog ib qho ntawm cov kws sau ntawv Fabkis niaj hnub no. Nws txawv los ntawm ib tug nplua nuj melodic khoom plig, ib tug penchant rau ntse tso dag thiab irony. Orik lub suab paj nruag yog tus cwj pwm los ntawm qhov tseeb ntawm cov qauv melodic, lub ntsiab lus yooj yim ntawm cov lus sib haum xeeb. Nws tej hauj lwm xws li Four Songs of Suffering France (rau lyrics los ntawm L. Aragon, J. Superville, P. Eluard, 1947), ib lub voj voog ntawm 6 zaj paj huam mus rau tom ntej, yog imbued nrog humanistic pathos. Eluara (1948). Ntawm cov chamber-instrumental compositions, ua yeeb yam piano sonata F-dur (1931) sawv tawm. Ib qho ntawm nws cov haujlwm tseem ceeb tshaj plaws yog tus neeg ntaus pob tesniv Phaedra (raws li tsab ntawv los ntawm Cocteau, 1950), uas cov neeg Fabkis thuam hu ua "kev ua yeeb yam choreographic."

Cov khoom xyaw:

ballets - tho txawv (Les facheux, 1924, Monte Carlo); Sailors (Les matelots, 1925, Paris), Pastoral (1926, ibid.), Charms of Alcina (Les enchantements d'Alcine 1929, ibid.), Rivalry (La concurrence, 1932, Monte Carlo), Kev xav (Les imaginaires, 1934, , ibid.), The Artist and His Model (Le peintre et son modele, 1949, Paris), Phaedra (1950, Florence), The Path of Light (Le chemin de lumiere, 1952), The Room (La chambre, 1955, Paris), Pob thieves (Le bal des voleurs, 1960, Nervi); rau orc. - overture (1938), suite los ntawm ballet Phaedra (1950), symphony. suite (1960) thiab lwm yam; suite rau guitar thiab orchestra; chamber-instr. pawg; rau fp. – preludes, sonata F-dur (1931), impromptu, 3 pastorals, Partita (rau 2 fp., 1955); romances, nkauj, suab paj nruag rau ua yeeb yam. ua yeeb yam thiab xinesmas. Lit. cit.: Autobiography, hauv: Bruor J., L'écran des musiciens, P., [1930]; Notice sur la vie et les travaux de J. Ibert, P., 1963

Literary tej hauj lwm: Autobiography, hauv: Bruyr J., L'écran des musiciens, P., (1930); Notice sur la vie et les travaux de J. Ibert, P., 1963

References: New French Music. "Six". Sat. Art. I. Glebov, S. Ginzburg thiab D. Milo, L., 1926; Schneerson G., Fabkis suab paj nruag ntawm lub xyoo pua XX, M., 1964, 1970; nws, Ob ntawm "Six", "MF", 1974, No 4; Kosacheva R., Georges Auric thiab nws thaum ntxov ballets, “SM”, 1970, No 9; Landormy R., La musique française apris Débussy, (P., 1943); Rostand C, La musique française contemporaine, P., 1952, 1957; Jour-dan-Morhange J., Mes amis musiciens, P., (1955) (Russian translation – E. Jourdan-Morhange, My musician phooj ywg, M., 1966); Golia A., G. Auric, P., (1); Dumesni1958 R., Histoire de la musique des origines a nos Jours, v. 1 – La première moitié du XXe sícle, P., 5 (Russian translation of a fragment from the work – R. Dumesnil, Modern French Composers of the Six Group , L., 1960); Poulenc F., Moi et mes amis, P.-Gen., (1964) (Russian translation – Poulenc R., I and my friends, L., 1963).

IAB Medvedeva