Los ntawm Halévy |
Los ntawm Halevy
Tus tswv cuab ntawm lub koom haum ntawm Fabkis (txij li xyoo 1836), tus tuav ntaub ntawv ruaj khov ntawm Academy of Fine Arts (txij li xyoo 1854). Nyob rau hauv 1819 nws kawm tiav los ntawm Paris Conservatory (nws kawm nrog A. Burton thiab L. Cherubini), tau txais Rome nqi zog (rau cantata Erminia). Siv 3 xyoos hauv Ltalis. Los ntawm 1816 nws tau qhia ntawm Paris Conservatory (los ntawm 1827 tus xibfwb). Ntawm nws cov menyuam kawm ntawv yog J. Bizet, C. Gounod, C. Saint-Saens, FEM Bazin, C. Duvernoy, V. Masse, E. Gauthier. Nyob rau tib lub sij hawm nws yog ib tug accompanist (txij li thaum 1827), choirmaster (1830-45) ntawm lub Théâtre Italiane nyob rau hauv Paris.
Raws li ib tug kws sau ntawv, nws tsis tau txais kev lees paub tam sim ntawd. Nws thaum ntxov operas Les Bohemiens, Pygmalion thiab Les deux pavillons tsis tau ua. Halévy thawj zaug ua haujlwm ntawm theem yog comic opera The Craftsman (L'artisan, 1827). Kev vam meej coj mus rau tus kws sau nkauj: ua yeeb yam "Clari" (1829), tus ntaus pob "Manon Lescaut" (1830). Halévy tau txais kev lees paub tseeb thiab lub koob meej hauv ntiaj teb nrog kev ua yeeb yam Zhydovka (Lub Cardinal's Daughter, La Juive, libre los ntawm E. Scribe, 1835, Grand Opera Theatre).
Halevi yog ib tus neeg sawv cev zoo tshaj plaws ntawm kev ua yeeb yam loj. Nws style yog tus cwj pwm los ntawm monumentality, ci ntsa iab, ua ke ntawm kev ua yeeb yam nrog rau sab nrauv decorativeness, heap ntawm theem teebmeem. Ntau yam ntawm Halévy cov haujlwm yog ua raws li keeb kwm kev kawm. Qhov zoo tshaj plaws ntawm lawv tau mob siab rau lub ntsiab lus ntawm kev tawm tsam tawm tsam kev tsim txom hauv lub tebchaws, tab sis lub ntsiab lus no tau txhais los ntawm qhov kev xav ntawm bourgeois-liberal humanism. Cov no yog: "Tus Poj huab tais ntawm Cyprus" ("Tus poj huab tais ntawm Cyprus" - "La Reine de Chypre", 1841, Grand Opera Theatre), uas qhia txog kev tawm tsam ntawm cov neeg nyob hauv Cyprus tawm tsam Venetian txoj cai, "Charles VI" (1843, ibid.) hais txog kev tawm tsam ntawm Fabkis cov neeg rau cov tub qhe Askiv, "Zhidovka" yog ib zaj dab neeg txaus ntshai (nrog cov yam ntxwv ntawm kev ua yeeb yam) txog kev tsim txom ntawm cov neeg Yudais los ntawm Inquisition. Cov suab paj nruag ntawm "Zhidovka" yog qhov tseem ceeb rau nws txoj kev xav zoo, nws cov suab paj nruag qhia tau raws li kev xav ntawm Fabkis txoj kev sib hlub.
Cov khoom xyaw:
Ua yeeb yam (tshaj 30), suav nrog xob laim (L'Eclair, 1835, Opera Comic, Paris), Sheriff (1839, ibid.), Clothmaker (Le Drapier, 1840, ibid.), Guitarist (Guitarrero, 1841, ibid.), Musketeers ntawm tus poj huab tais (Les Mousquetaires de la reine, 1846, ibid.), Poj huab tais ntawm Spades (La Dame de Pique, 1850, ibid., zaj dab neeg ntawm AS Pushkin yog ib feem siv), Rich Man (Le Nabab, 1853, ibid. .), Sorceress (La magicienne, 1858, ibid.); ballets – Manon Lescaut (1830, Grand Opera, Paris), Yella (Yella, 1830, not post.), Music for the tragedy of Aeschylus “Prometheus” (Promethee enchainé, 1849); kev hlub; nkauj; chora tus txiv; cov piano; cult tej hauj lwm; solfeggio phau ntawv (Cov lus qhia hauv kev nyeem suab paj nruag, R., 1857) thiab lwm yam.
Literary tej hauj lwm: Memories and Portraits, P., 1861; Kev nco kawg thiab duab, R., 1863
